Flying in the land of idiots
The airline industry is the largest scapegoat in the aftermath of 9-11. In order to relieve the public (those without any common sense) of the new dangers of flying, a few schmucks in an office in
The airline industry is the largest scapegoat in the aftermath of 9-11. In order to relieve the public (those without any common sense) of the new dangers of flying, a few schmucks in an office in
Since I'm late in posting, I figured I'd try to post something that hasn't been mentioned...(which doesn't mean it will be anything brilliant, unfortunately.)
I believe that the American public (myself included) has been generally in the dark when it comes to the underhanded things that are presently going on in Washington DC. This is one of the most insightful videos relating to politics that I have seen in the past year. There are some very funny parts, but the entire segment is very much on-point. The clip is pretty long, but I found it to be an amazing learning experience; thus I felt that I should share it with you:
Through uniquely rendered and poorly hidden sarcasm, the makers of Team America: World Police criticized the American government, politically-minded Americans on both sides of the spectrum, and all of Hollywood. The most poignant criticism, however, may have been that made about the single most typical film cliché: the love story in the subplot.
Is Team America World Police right wing satire? Like some of the previous posts, I'd have to disagree. Rather, it's a film that freely takes jabs at both the right and the left. It patronizes the ridiculousness of conservative America's messiah complex while at the same time railing the left's uneducated bias towards all things peaceful and their willingness to accept support from oftentimes uninformed outspoken celebrities. Trey and Matt love tearing into both sides of the political spectrum, and no one is safe.
I am not sure if this is a cliche exactly, but I noticed a pattern of Team America professing their feelings for one another during the battle scenes. Starting with the first scene in France when the guy proposes to Lisa right before he gets killed to the last scene when Joe is finally able to tell Sarah he loves her as they are battling the "leopards," the characters tend to let their emotions get the best of them at the most inappropriate times. I might be off the mark, but I think Trey Parker and Matt Stone are doing a few things with this pattern: making fun of the sappy chick flicks that American audiences (typically female, but not always) get caught up in and satirizing the ridiculous way that Americans prioritize issues. Some of the lines that the characters use remind me of scenes from Dawson's Creek ("maybe feelings are feelings because we can't control them")- except Team America is saying this while fighting terrorists and attempting to save the world. Clearly their minds are not on their jobs. As far as prioritizing issues, Americans tend to get caught up in celebrity gossip and unimportant relationship trivia while there are much more serious problems in the world. Team America is illustrating how unproductive and possibly dangerous it is for the United States to be eliminating evil on a global scale while the majority of the population is self-absorbed and out of touch with what is actually going on.
I think Team America does a good job satirizing the ethnocentric tendencies of Americans and of
The most telling part of TA's right-wing satiricial content is when Arec Baw-win is speaking to the media. He recounts the days destruction and says something along the lines of "who is to blame for today's events? Is it the terrorists themselves? No. Is it the people in power who equip these people with weapons of mass destruction? No. It is Team America World Police." Baldwin argues that TA's recklessness and irresponsibility caused the terrorist's retaliation on the Panama Canal (I think that is what they bombed, but I might be mistaken).
Team America: World Police is not simply a right-wing satire of post 9/11 American culture. Rather, it seems to be a mostly unbiased political satire, freely and unapologetically taking shots at both the left and the right. My sense is that the producers of the movie exploited as many stereotypes of American political parties as possible. For both the right and the left wing, the obvious caricatures are drawn: patriotic, gun-loving, culturally ignorant conservatives, and the easily swayed, raving mad, liberals with communistic tendencies. If anything, Team America is an accurate analysis of the political atmosphere in the post 9/11 America – both conservatives and liberals have acted in ways to justify their ridiculous characterization in the movie.
Some seem to think that if something is not blatantly a left-wing satire it must be right-wing. However, I would be more comfortable simply calling Team America political satire because it takes stabs at both sides. The movie goes after the jingoism that is a commonly expressed critique of the right. It also goes after the left with its satirical representation of actors.
I would not agree with the assertion that Team America: World Police is a product of right-wing ideology. Watching the film, there is evidence that the writers freely satirize both sides of the political spectrum. One can see the resemblances between Team America and many of the episodes of South Park; no one is safe from the criticism of these writers. The Bush administration is ridiculed for its overeliance on "intelligence" through the computer system featured in the film named "I.N.T.E.L.L.I.G.E.N.C.E." By personifying intelligence as a single human-like entity, the writers are poking fun at Bush's references to "intelligence" as if it was one specific person or thing that automatically knows all. In addition, the original songs featured in the film are making fun of the plethora of post-911 country songs (associated with conservatives) that were deemed so inspirational, but whose lyrics were often vengeful, violent, and just plain immature. On the other hand, the Film Actors Guild as well as many specific actors are also called out. The writers really sum up their view on the credibility of actors' role in politics with a line from the Alec Baldwin character: "As actors, it's our responsibility to say what we read in newspapers and then repeat it on tv like its our own opinion."
One striking cliché I noticed in the film was how Team America relied on a super-computer, “intelligence”, for all of its, intelligence needs. This type of situation appears in scores of action/thrillers and other Hollywood productions, where a team of evil-fighting good-guys relies upon a super-powered computer to alert them of all the information they need to know, yet have know way of figuring out themselves. Of course, in the war on terrorism, such a super-computer is pretty essential when trying to figure out where on “Dirka-Dirka” street the terrorists are meeting. Furthermore, in America’s actual response to 9/11, (think of the lead-up to the Iraq war), it was pieces of “intelligence” about Iraq’s nuclear arsenal that compelled us to go to war.
However, as in real life, “intelligence” seems to get a lot wrong. For starters, “intelligence” sounds like a 25 year-old stoner who hasn’t had a job since selling weed in high school. Plus, a bulk of the info he provides to Team America is obviously wrong. Thus, “Intelligence’s” role as a provider of false information to team America is a strong satire of the Bush Administration’s over-reliance on false information in the days before the Iraq War. Iraq trying to develop nuclear weapons from African Uranium? Is this a piece of information from “intelligence” in the movie or a piece of information that the Bush Administration relied upon in its decision to invade Iraq? Its hard to tell, but it could have been from either contexts! And that is the point. In the movie, the team’s over-reliance on “intelligence” was an obvious statement about America’s over-reliance upon similar, faulty intelligence-gathering schemes.
I do not agree with the assertion that "Team America: World Police" is a right wing satire. Having now seen the movie twice, I think that it points out the follies and inadequacies of both the right and left in American politics. Certainly it pokes fun at how absurdly liberal Hollywood is with the Film Actors Guild. If this was a normal movie, the moral of it would be something along the lines of force being necessary to stay safe, which also pokes fun at the peace-loving liberals. On the other side, everyplace that Team America goes to kill terrorists they do more destruction and leave the locals more disenchanted than if they had never shown up. In France they blow up the Louvre and the Eiffel Tower and the locals look horrified even after Team America announces that they've saved them from terrorists with WMDs. In Egypt they blow up pyramids and the Sphinx and the locals look shocked even though Team America was supposedly protecting them. Also, another jab at the current administration and the right is the fallibility of I.N.T.E.L.L.I.G.E.N.C.E., which sometimes just shows Team America the evening news. More than anything, the movie shows that to be successful in today's world there needs to be a balance and a trust between those that wish to remain peaceful and those that would like to use force as a tool for safety at home.
I'm not sure it's entirely possible to classify Team America as either a left-wing or right-wing satire. It seemed to me like the producers are going after everyone, right and left, no one is spared. If we take Team America as the right-wing, the opening scenes are pretty relevant: the American centrist Team America tries to 'help' and actually just makes everything more chaotic, by destroying Cairo and knocking down the Louvre, the Eiffel Tower, and the Arc de Triomphe (resemble the war in Iraq to anyone else?). If then, we take the Film Actors Guild (FAG) as the left-wing we see too, that neither is the liberal viewpoint accomlishing anything - too embittered towards America, the actors fail to lay blame on the actual perpertrators of the attacks and end up blowing up Team America headquarters and allying themselves with the enemy. In the end, it seems an almost total role reversal - the actors are violently attacking Team America (though they do get equally violently killed) in the name of peace and Team America is using words (albeit completely ridiculous ones) to save the world. Yes, Team America wins out in the end but it is not with the same 'Fuck Yeah' attitude: they fight the actors when necessary yes, but they rely also on 'negotiation' and reaching an agreement (of sorts) with the ones they're trying to protect.
When we began watching Team America: World Police in class, I assumed that it would be a liberal attack on post-9/11 America, like most of the other material we have looked at this semester. As the film progressed, though, I observed that many of the jokes were made at the expense of American liberals. For example, the film portrayed Hollywood and the "Film Actors Guild" negatively by claiming that they simply repeated whatever "anti-patriotic" messages were found in mainstream newspapers and therefore that they were undermining America's attempt to save the world from terrorism. This is a clear attack on the left, and could be considered an example of right-wing satire. I do not think that the movie is entirely conservative satire, though, as it does not depict America's counterterrorism efforts in an especially flattering light. Team America's solution to any threat is to use military force rather than diplomacy, and this excessive force results in massive destruction all around the world, including the Eiffel Tower, the Louvre, and the Sphinx. The intelligence computer that Team America relies on is also a criticism of the current administration and the intelligence failures that it has experienced.
If I were to write a movie that commented upon post-9/11 culture, I think I would have to focus on America’s ambivalence towards the attitudes of other nations. Immediately after the attacks of 9/11, America went into a state of shock, and the majority of the rest of the world was considerate enough to give moral and physical support to the U.S in our time of need. My satirical movie would center on the fact that America has hardly shown the same consideration and awareness when other nations have been attacked. Besides the usual Middle Eastern sites of terrorist attacks, even our close “partners,” like the United Kingdom, historically have dealt with terrorism on a regular basis. We expect the rest of the world to be appalled by our own tragedy, yet many Americans are unaware of the more prevalent acts of terrorism on other nations. American centrism is nothing new, but it seems to be magnified by our own preoccupation with “us” (could be a play on the abbreviation U.S).
During the first half of Team America, I was tempted to say that the movie's creators were equal opportunity offenders -- not politically inclined too heavily one way or the other. When Team America was fighting terrorists in the Middle East, the team (enacting conservative policies to "hunt terrorists") appeared pretty stupid themselves, nearly killing a member of their own team.
I would be in for either the 9th or the 14th.
hi everyone,
Alright, folks. Just one more. Please write on one of the following topics by 8PM Sunday night.
http://www.youtube.com/watch?v=P842Tmi6lrc&mode=related&search=
Sasha Baron Cohen has the amazing ability of manipulating others when the cameras are on. People not used to the limelight are willing to be agreeable as long as Cohen does not cross paths with their morals. For instance:
I think the prelude to the country music song is quite funny and is very similar to the other skits we have viewed in terms of setting the victim up with sympathy and then immersing them into an uncomfortable situation. He starts in with the country music musician with a strong sincerity of wanting help Cohen write a country song. The musician right off the bat was portrayed to be sympathetic to Cohen’s foreign culture. Cohen traps the musician by giving an absurd unfamiliar “song from home” that only makes the musician feel guilty and obligated to help. After cornering him, Cohen then goes in for the kill by moving from a helpful situation to an uncomfortable one by saying he wants to write a song about his wife dying and his sister having “best sex in mouth”. You could see the discomfort of the musician; however, he tries to sympathize with Cohen by proclaiming “that’s a talent too” in regards to his sister being a prostitute.
The performance of the song had a different take on cultural discomfort. At first glances of facial expressions, the audience at the bar seemed pissed that someone was invading their culture and seemingly mocking them. However, as the song progressed, more of the audience began taking Cohen’s foreign origin not as one of insult to them, but as a comrade singing in their style. The giggling in the background and people singing along was a signal that they had accepted him into their culture. Once he had gained that acceptance, the entire culture seemingly unconsciously crossed the socially appropriate boundary by chanting the racially fused lyrics to his song.
It was quite ironic seeing two separate takes on uncomfortable cultural situations and watching the accepting responses. The musician, made a supporting statement to Cohen even though it was obvious he did not accept the nature of what he wanted to sing about. The audience in the bar accepted him as a stranger by supporting his song, even though it was racially crossing the line. The differences however, were to that of conscious support and unconscious support. Cohen shows conscious and supportive affiliation with a foreign culture here with the musician and remarks against his obvious personal feelings and unconscious supportive affiliation with the audience in the bar through their cultural acceptance, and chanting words to a song in support without full understanding of what they were actually saying.
In going in a similar theme but different direction, I imagined Sasha Baron Cohen if he was in female form. I imagine him as a typical southern sorority girl. I think sorority girls can get boys to act stupid on many occasions. There is nothing better then a frat-tastic guy trying to impress a sorority sister. The stereotypical blond would be a good female counter to sasha baron cohen's male personas.
The episode of Ali G about
My favorite quote of the entire episode, one which I feel epitomizes the anti-gay sentiment embodied by the clip, is uttered by Shaud Williams, the
Erica's post inspired me. While I definitely agree that Sasha Baron Cohen, as one of any of his characters, would elicit pure hilarity from Cornellians at a frat party or outside CTP post-bars, I think a visit to Panhellenic recruitment (sorority rush) at the end of January would be the kind of expose only he could properly portray satirically. I can imagine him showing up to a sorority house as Bruno critiquing the hard-fast attire imposed by the formal recruitment chair up at Panhel. In case anyone isn't familiar, the dress code is pretty much jeans, sweaters, and flats day 1 and 2, dress pants or skirts, heels or boots and tops for days 3 and 4, and fancy pants or dress for final round. The dress code applies generally to sisters as well as rushees, so it's basically a week-long fashion show. Considering sisters in some houses are sent home for what they choose to wear to rush, and some potential new members are, in fact, judged by their outfits during the rounds, Bruno would literally have a field day.
I've also never seen Borat the Movie (actually, the only Cohen satire I have seen is in class), so I do not have a lot of experience with the characters and the meaning behind them. The more I think about the country music clip, the more I think that Stephanie is right about Borat pointing out the ridiculous way Americans treat foreigners because they are afraid of offending them. Since they know nothing about Borat's culture, they do not want to condemn anything that is so clearly out of line; they tolerate Borat instead.
I'm probably in the vast minority of all college students in that I've never seen Borat the movie, so when we watched the experiment with country music on Thursday, it was the first time I had ever seen it. I found myself unsure of how to react to the clip. Because I know that Cohen is Jewish and because we had discussed his strategy of creating absurd situations to see how his targets react, I was less offended by the song than by the crowd's reaction to it.
I am not creative enough to come up with my own Ali G-type character; I’ll leave the handy work to Sacha Baron Cohen. However, there is plenty of potential to film at Cornell with the three characters Cohen's already created. Sort of a take off on Bruno and the wrestlers on Spring Break, Borat with C.U. frat boys might make for a good clip.
Throughout history, there have been so many examples of demagogues who lead entire groups of individuals to a fatal end. I always used to wonder how they managed to coax so many people to follow them. Watching Bruno's Fashion Show helped affirm my belief that as a whole, individuals lack the common sense and rationality we often prefer to attribute to them. In the many previous cases of demagoguery, the demagogue frequently appealed to some mix of charisma, eloquence, well reasoned arguments, or a higher authority to sway the opinions of others. And yet Bruno, unquestioningly lacking in eloquence, well reasoned arguments, or an appeal to a higher authority, was able to mold the responses of his interviewees with aplomb. His only redeeming quality was some degree of charisma and the perception of ignorance or vulnerability as a flamboyantly gay foreigner. It's counter-intuitive that characteristics such as ignorance or vulnerability would be a point of strength in rallying others behind one's view; typically, individuals will only follow leaders who appear to have risen beyond these shortcomings.
I've seen the third clip, with Bruno at the fashion show interviewing designers, several times and I am always impressed by the fierce stupidity that abounds. It's truly astonishing to know that someone can be so unintelligent about one's own profession and livelihood. The designers were so obtuse and banal that they were as much a caricature of the fashion industry as Bruno. This was particularly true of the last guy that continually contradicted himself. He apparently had a cardboard theme that ran through his designs that was both humorous and humorless, light and heavy, individualized yet 'about others.' Bruno catches this bullshitter who had no vision and no meaning behind his supposedly meaningful art.
The first time I saw the "Throw The Jew Down The Well" clip I was completely taken aback. It was about 2 years ago and I had seen only a couple Ali G clips and did not really know who this guy was. Seeing a goofy comedian leading a huge group of Southerners in an obviously anti-semitic song was unsettling to say the least. How shamelessly hateful and racist must these people be to clap and sing along to such obviously offensive lyrics, I thought.
Sacha Baron Cohen does a really good job here of exposing the hyped-up materialistic nature of fashion. I'm not going to lie, I very much enjoy fashion - but in the end, it's just clothes. The interview at the end of this clip, with the designer who pretty much repeats every contradictory thing Cohen feeds him, demonstrates how incredibly fake the fashion world can be. The man contradicts himself at least 3 times in the interview, claiming that his collection is both intended as light and heavy, for the individual and for the community, etc. Fashionistas like to think that their clothes carry meaning, that they define who we are, but really, they're just clothes. The designers in this clip have extremely high opinions of their work, putting far more significance than is deserved on their occupation (no, clothes do not save lives). Fashion is fun, but it saves no lives, it has no profound goodness to it - it is an entirely materialistic (and wildly overpriced) profession/hobby/interest/whatever. At least the guy didn't say he thought consistency was important - I was definitely expecting him too.
Here are my insights on what makes the Alabama clip work:
I found Borat’s “experiment with country music” very effective and enjoyable because of the skits ability to heighten the viewer’s awareness of just what people are willing to do or say in an unfamiliar context. Borat’s song is appallingly anti-Semitic, however the audience is perfectly willing to stamp and clap along with the song because Borat is foreigner and there are no Jews in the audience to take offense. The scene is amusing, but scary, because it seems to be so strongly reminiscent of Nazi Germany. Both the message of the song and vigorous hand movements remind one of a Nazi rally. Borat’s character proves that people are willing to do or say mostly anything if someone tells them to do, or if it’s in their own self-interest.
The fashion industry is designed to make you feel ugly. Top designers put beautiful clothes on beautiful people, make them scowl at the camera and take a picture of them to make you think that in order for your normal looking self to get that pretty, you'll need those sweet pair of jeans or slightly distressed t-shirt too. By nature, the fashion industry is designed to alienate the normal people, and subsequently attempt to make them want to be part of this odd little world where everyone is better looking than Barbie or Ken. It's elitist and a realm that is fenced off from the homely.
Jagshemash! Drawing on this week's discussions of Sacha Baron Cohen's "Da Ali G Show," write about one of the following:
I find the videos that the White House puts out at Christmas time to be particularly embarassing and worthless. I mean, Barney is a very cute Scottish terrier but don't the people in the video have better things to do? In the 2006 video, not only are there appearances by all of the top Bushies but there's even a cameo by Emmit Smith. Maybe it's a cultural thing and I just don't get it because there's no state-sponsored Hanukkah video. Or maybe it really is a waste of time and resources to make a nearly 10 minute video of a stupid little dog hanging with Bush's incompetent friends. Anyway, here's the link: http://youtube.com/watch?v=v5EhLQJV8VY
In this video, taped at the Radio and Television Correspondents Association Dinner, Karl Rove gives the audience a lengthy performance in which he raps, or rather attempts to rap in duet with some other white guy in a tuxedo. To me at least, this comical performance really illustrates the extent to which Karl Rove is completely out of touch with social reality. That Rove himself would attempt such a stunt angers me because, coming from a man who has masterminded most of the egregious actions of the Bush administration, it seems as if he is trying to somehow humble, or embarass himself in front of the press in order to make good on all the bad things he has done. Instead, this stunt really illustrates Rove's desire and ability to manipulate the media and the public (remember the Plume scandal?) Obviouly, my political leanings influence my reaction to this video, but it seems to me that something is not right when Karl Rove is mocking rap and rap culture on stage in a tuxedo. True light is shed upon his nasty character by the gritty and ominous voice he uses to anounce that his name is "MC Rove."
Here's a link to a wikipedia article about the children's book that Bush found so compelling on 9/11. I think you could definitely count this as a political gaffe, considering our president wanted to listen to children read him a book about a goat rather than tending to an attack on our nation.
I don't think anyone in America missed this one. Where Sen. John Kerry attempted to make a jab at President Bush by correlating his stupidity with the War in Iraq, he ended up suggesting that the troops in Iraq were unintelligent and uneducated. For days after, newspapers, televised news casts and blog sites were not just bashing the junior senator but also each other for their respective political biases. For example, political bloggers had a field day critizing CNN's coverage, saying that their prologue before the clip and commentary afterward spent "too much time trying to explain Kerry's slip of the tongue," which simply served to demonstrate their left-leaning politics.
This is a one minute clip in which then Senator George Allen was at a stop during his re-election campaign in August 2006. He proceeded to introduce a man who was following the campaign from opponent Jim Webb's team, and who happened to be filming Allen's appearance. Twice Allen addressed the tracker as "macaca."
GodHatesFags.com is the online home of the Westboro Baptist Church (they also own thesignofthetimes.net, smellthebrimstone.com and godhatesamerica.com), the subjects of the BBC documentary "The Most Hated Family in America." They picket the funerals of soldiers that were killed in Iraq, calling them "fags" and insisting that they will rot in hell. In fact, everyone in the family (including several elementary school-aged children) has been indoctrinated by "Gramps" (preacher Fred Phelps, who began the movement) to believe that anyone who is not in their church is an America-hating sodomite that is headed straight for hell.
http://www.raptureready.com/rap2.html
This is the website for an environmentalist movement called the Voluntary Human Extinction Movement (VHEMT). They want everyone to stop having kids so that humans become extinct and the world can go back to "normal." It's ridiculous and makes me laugh every time I look at the FAQ, but it's also pretty scary that there are people who want it to catch on.
From 1995-2007, Rick Santorum (R) was a senator from Pennsylvania. I'm pretty confident that he is missing the part of the brain that screens thoughts before they come out of his mouth, so he is a veritable goldmine of ridiculous comments and awful commercials.
http://www.behaviordesign.com/work/case_studies/images/ctz/canned_site/home.html
http://www.youtube.com/watch?v=Cc9mvwNYn2M
http://www.livingroomcandidate.com/player/index.php?ad_id=944
“I mean you got the first sort of mainstream African American, that is articulate and bright and clean and a nice-looking guy. I mean, that’s a storybook, man.”
The title of the post says it all. Sorry to laugh at somebody else's misfortune, but the fact that this kind of stuff is readily available is what makes YouTube and our country so great. God Bless America. God Bless Bobe Dole.
Just to recap what I said on Thursday about your essay assignment:
As cheesy as it sounds-- and is-- this song and the National Anthem are the only two songs that consistenly make my cry. No matter what.
Steve Jobs' commencement speech at Stanford in 2005. His speech really shows that even though we will all be faced with adversity at numerous points in our lives, if we stay driven and determined, we can achieve success. By telling 3 stories from his life, he is able to relate his message in an unpretentious and entertaining way.

I dont think there is a speach out there more inspirational than Lou Gehrig's retirement speach which is as follows:
Definitely one of DMB's most underrated and underplayed songs...makes me think to myself "why am I still in the library...I could be doing..."
This video, http://youtube.com/watch?v=xe25AEniN9o, is of a Jamaican reggae producer named Lee "Scratch" Perry who is famous for the work he did with Bob Marley in the 1970's, and for his own solo recordings from the same era. This video is part of a BBC interview in which Perry expresses (sometimes rather incoherently) parts of his Rastafarian, Black Nationalist ideology. Throughout the interview Perry refers to the revolutionary power of reggae music and its potential to unite all Black people around the world. He also gives insight into his signature production style, emphasizing that he always begings producing a track by making sure the bass and drum parts form a cohesive rhythmic unit.
As cheesy and patriotic as it sounds, this song and the National Anthem are the only two songs that consistently make my cry. No matter what.
Maybe "inspiring" is a bit of a stretch here, but I find this story to be compelling for a few reasons. Stephon Marbury, a multi-million dollar guard for the New York Knicks has decided to use his name and fame to make a change rather than to turn a profit. Well not exactly, but the fact remains that Marbury is a pioneer in his decision to sell his line of basketball sneaker for a mere $14.95. The pricing was made in hopes of reversing the trend of low-income urban youth spending upwards of $200 on a pair of shoes. As the NBA is popular and therefore marketed at a myriad of classes throughout the nation, it has become clear over the last decade that the sneaker business has permeated into many, many homes. Consequently, Marbury has taken the proactive initiative to try and lure some potential consumers away from spending big money and allow them to realistically afford a top-of-the-line shoe endorsed and sold by an All-Star NBA player (rather than simply settling for a generic pair of sturdy shoes sold in WalMart that is).

First of all, it was strange coincidence to see "What's Going On" by Marvin Gaye referenced in the assignment post as I was listening to it for the History of Rock and Roll (make-up) exam.

Last semester I took Comm 201 and we watched Jimmy Valano's speech at the 1993 ESPY awards. He was the head coach for the North Carolina State basketball team and died of cancer in 1993, the same year he made this speech. Every time I watch him speak, I am inspired by his courage. The clip is 10 minutes long, but it's well worth watching all the way through:
The most inspiring speech I've ever heard was Al Pacino's "Peace With Inches" speech from Any Given Sunday. I listened to it before every football game I played, and I got pumped up every time. You can watch it at <http://youtube.com/watch?v=_zjfpdRlbbA>.
Gandhi is a true role model in my mind. If anyone has not seen the 1982 movie starring Ben Kingsley, definetely do-it is truly inspiring. Since I could not put up a link to the whole movie, I just wanted to put forth a couple of his most meaningful quotes on nonviolence. Here they are:

This is a link to a video clip (not the whole film unfortunately) of the people's choice award from this year's Banff Mountain Film Festival. The film in its entirety is 56 minutes and is a really cool film of one couple's desire to expand their horizons by biking 8000km through Mongolia, India, and several other countries. It takes great perseverance and determination, but the two achieve a really cool perspective on life, and encounter many different inter-cultural wonders. If anyone can find the full-length video I would highly recommend it.
This is Barack Obama's keynote speech at the Call to Renewal conference. He speaks about his faith and convictions, and he's the only politician I've heard speak honestly about the conflict between his Christianity and Politics. Obama's got it right.

Hey, everyone. After reading this last batch of essays, I'm convinced that we need to do more work with revision. So here's the plan for next week. On Tuesday, we'll continue to discuss Bill Maher's When You Ride Alone, You Ride With Bin Laden (for those of you who aren't finished with it yet, here's your chance to catch up with the rest of us). On Thursday, we'll do a peer review of the rough draft of your next paper.
American auto companies need to get their head in the game. Not only are they losing money and market share hand over fist, they’re becoming stupider in the process. While my Volvo is being repaired, I had the unkind privilege of an American rental car. Not only was it a PT Cruiser, it was a purple PT Cruiser. Whoever designed this new 2007 vehicle had a screw loose. It is the most non-ergonomic vehicle I had ever been in. The electric window buttons are in the middle of the dash console, the door handles were in the armpit of the door and the dash (not only do you have to reach for it, you have to twist your wrist counterclockwise to get a grip on it), and it’s purple. Who the hell makes a purple car?! You can’t tell me there’s truly a demand for it. Driving it was as bad as the design. The car screamed mercy driving up Buffalo street and felt like a toy that was going to fall apart at any moment. Keep in mind this was a NEW car. Most importantly, I felt like a faglord driving it. It’s a no-brainer why American auto companies are failing. They design stupid vehicles and are only able to sell them to rental car companies…That they own. One great way to overcome the market, sell your shit to yourself. Brilliant.
New Rule: If you are an alumni, stop coming back to college and attempting to relive "the good ol days" by shotgunning beers, body slamming your friends, or trying to force pledges/brothers/friends/etc. to chug svedka from the bottle. You have a job now, and should be displaying some form of adult responsibility. By all means, buy your college friends drinks, but please loose the fratty, obnoxious attitude.
New Rule: If you are an alumni, stop coming back to college and attempting to relive "the good ol days" by shotgunning beers, body slamming your friends, or trying to force pledges/brothers/friends/etc. to chug svedka from the bottle. You have a job now, and should be displaying some form of adult responsibility. By all means, by your college friends drinks, but please loose the fratty, obnoxious attitude.
New Rule: People can no longer say they are going to do awful on a test and then proceed to get an A and beat the mean by 30 points. It is actually preposterous. Don't try to make me feel better by announcing how unprepared you are, while you obviously have been studying for a week in advance. The exception to this rule is opposite day, of course. Only then will your banter will be justified.
New Rule: If you're going to hold the door into Willard Straight open, you need to actually do so. Don’t do the job haphazardly; either hold it or make it clear you aren’t going hold it. It doesn’t take that much of an effort to wait the three extra seconds that is the difference between holding the door and letting it slam into the person behind you. Perhaps a friendship could even be made because of the encounter. Hey, you never know what a mitzvah could do.
New Rule: Future investment bankers, (namely of the ILR and AEM majors): Never, I repeat, never, is it appropriate at a bar to use the line: “Oh, you want to work in non-profits? You should marry someone rich like me.” What, so then I’ll be happy? Maybe I can make a money scarf to tie around my eyes when we’re screwing, so that way I don’t have to look at your over styled hair and popped up “salmon” colored collar looking me in the face every day. If money is the only positive attribute you can think of for yourself, maybe you should rethink your profession. But you can still buy me a gin and tonic. Double.
New Rule: If it’s 35 degrees outside, it is not an occasion to wear flip-flops. In fact, even if the mercury inches up to 50, it’s still not flip-flop weather. This is applicable for shoes ranging from Birkenstocks, to Tevas, to J.Crew, to Reefs. Stop using flimsy footwear as a sign of class differentiation.
New Rule: it's always the weekend. If people at large are free to ask me what I'm doing next year, then I should be free to dump my drink on them. A mixed beverage comes in handy any time an interested (read: prying) adult inquires into my plans for the future. I don't ordinarily have a drink in my hand as things currently stand, but this is not a problem under the newly instated rule. Second semester Senior Year, post-Spring Break, classes are optional (as is homework...and blog posts). Socially acceptable drinking times are now perpetual. Hey, it's the last time we ever get to live like this, right?